The Dark Knight Rises

So, it's finally here. The Dark Knight Rises. It's been billed as the perfect end to an epic trilogy. It's the film that brings to a conclusion Christopher Nolan's grounded in reality Bat-tale. It's predecessors have been both critically and publicly appreciated, admired, praised and respected. Heath Ledger even got a posthumous Oscar win; something unheard of for an actor in a mere 'comic book' movie. Not much to live up to then...

Will it be a 'happy ending?'

Arguably the most anticipated film of the year (obviously behind Piranha 3DD), there was a lot resting on the shoulders of the Caped Crusader in this one. How would Nolan wrap up his Bat trilogy in a way fitting to the previous two installments? How would any villain/actor be able to follow on from The Joker/Ledger? How could the Bat be pushed to limits that exceeded those that the Rachel Dawes/Harvey Dent story arc pushed him to? How would the Batman-on-the-run story get a fitting climax? All of these questions and more are answered here. With the film missing Heath Ledger and Maggie Gyllenhaal for differing reasons, how would the new cast members step up to the plate? In came Joseph Gordon-Levitt, Anne Hathaway and Tom Hardy amongst others. Along with these additions, we see the return of familiar faces such as Michael Caine, Gary Oldman, Morgan Freeman and, of course, Christian Bale.

The story picks up 8 years after the events of The Dark Knight. After the 'honourable' death of Harvey Dent, Gotham introduces a Harvey Dent Day and also a Dent Law. Harvey Dent Day serves as a reminder of the 'white knight' and what he stood for, a symbol of justice. The Dent Law is responsible for locking up 1,000 or so criminals. Due to this, there is no need for the Batman - Gotham no longer needs a Batman, a hero. Bruce Wayne is now a hermit of sorts, hidden away in Wayne Manor. Sure, he is still a billionaire, there are still functions held at Wayne Manor, Wayne Enterprises is still a huge global company. It's just Wayne himself that stays out of the public eye; a battered down man who's been savaged by the war he's waged on Gotham's criminal presence. He starts the film as an unkempt, unshaven cripple holed up in one of the many rooms of Wayne Manor. He has no need to be anything else. It's only the impending threat of Gotham's destruction that pulls back the Bruce Wayne mask and once again brings the Batman to the fore. That impending threat is titled simply Bane.

Bane in his best Steve Harley inspired jacket

Firstly, if your only knowledge of Bane is from Joel Schumacher's 1997 Batman & Robin, forget everything you think you know. That portrayal was a mockery, a disservice to a truly fascinating villain. Bane is a highly intelligent master strategist with the bulk, strength and power of a brute. He is aware that Bruce Wayne is Batman and uses this to expose his weaknesses. In the comics, Bane was introduced in the critically acclaimed story known as Knightfall. He sees Batman's heart, nobility and determination as his weakness. He knows that the Dark Knight will keep on fighting as long as there is a criminal on the lose. He prays on this by breaking the majority of Batman's rogues gallery out of Arkham Asylum at the same time, causing the Bat to become worn down in his constant uphill struggle to find and capture said criminals. Once weak enough, Bane strikes, literally breaking the Bat in the process (courtesy of backbreaker that even Bret Hart would be proud of). This causes Bruce to give up the mantle of the Bat, to hang up his cape and cowl.

Truly one of the all time classic Batman images

In The Dark Knight Rises, Bane is portrayed as he should be; as Batman's intellectual and physical equal, even surpassing him in some ways. He hits Batman where it hurts, he hits Gotham. He bankrupts the city, declaring a state of Martial Law (not the Sammo Hung starring TV series), and waiting for Gotham to eat itself. He does all this whilst also making some very valid points. You almost feel yourself siding with him at times. Before all of this occurs though, Bruce is attacked from another angle. A rival of Wayne Enterprises commits fraud against the company, leaving Wayne without a penny in the process. Bruce is left with nothing, fighting the question of whether he has what it takes to take down Bane after spending 8 years out of the cowl. Is he up to the job?

As well as all of this going on, there's also Anne Hathaway's brilliant Selina Kyle looking out for personal interest and playing all sides against each other. Joseph Gordon-Levitt's Officer Blake steps up to the plate to be one of Jim Gordon's go to men. Gordon himself spends the opening of the film troubled by the cover up and lies that he has had to tell about Harvey Dent in order to protect Dent's image and to keep the hope of justice alive in Gotham. Michael Caine's Alfred is the emotional rock for Bruce Wayne again, giving sage advice at difficult times, making difficult, life changing decisions and having to do what's right regardless of the consequences. Caine is brilliant in this, his best portrayal of Alfred to date. After the events of The Dark Knight and the death of Rachel Dawes he is a tormented soul, desperate to see Bruce pull himself away from his reclusive behaviour, to see Bruce get himself a 'normal' life, for Bruce to not get into fights that he cannot win. The rest of the supporting cast, principally Morgan Freeman's Lucius Fox and Marion Cotillard's eco-friendly love interest, Miranda, are fine for what they are. Freeman's banter with Wayne is still as sharp as ever, with Cotillard filling her role perfectly.

Not as much bondage as Michelle Pfeiffer but just as stunning

That brings me to the man himself, Christian Bale. His portrayal of Bruce Wayne and Batman picks up from where it left off. If you are a fan of the Bale Bat then you will enjoy his performance. If you are not of fan of his Caped Crusader then you likely won't have your thoughts swayed by him in this either. I'm a big fan of certain features of his Batman but not such a fan of other aspects. In this film he spends a lot of his time as a beaten down Bruce Wayne, a victim of a monstrous attack to both his body and his mind. It's a great performance from Bale. I'm sold on him as the troubled Bruce Wayne, the self sacrificing Wayne, the whole facade of the Bruce Wayne mask. The part I still find myself struggling with is his Batman. It's the same issues I've had from the previous two films. It's something to do with his jaw, mouth, and animalistic Batman voice. I understand the logic behind the aggressive, unnatural voice but it's merely a personal preference of mine and it doesn't get in the way of a fantastic film for me. And this is a truly fantastic film.

The story flows just as smoothly as the last two films. The running time is a little under three hours but you won't notice that. The film has a great flow to it, matched perfectly by Hans Zimmer's intense, perfect score (again!). The story differentiates slightly from the comics and graphic novels but I'll let Nolan's tinkering slide as he does such a brilliant job with the story. There's one slight problem I have with something towards the end of the film but I can't go into that without giving away some spoilers. There'll be a time and a place for that, and it really is only a tiny gripe.

If only he had Keaton's jaw...

The film has a truly epic feel to it, with the last half an hour cranking everything up to 11. I get goosebumps now just thinking about it, especially the final few minutes. It's the perfect finish to a truly epic trilogy. Was it worth the wait? Was it worth the hype?

Of course it was. But you knew that already.


On a side note, my thoughts go out to those in Aurora, Colorado who did the same as me and so many others around the world. They'd anticipated an epic film, they'd looked forward to it for months, years even. They went to a midnight showing only to be gunned down horrifically by a lunatic. All they wanted to do was to see Batman, yet many have been injured and several have been killed. Keep those guy in your thoughts.

The Best Batman Is...

So, the burning question rages on - who is the best Batman? Now, this question can throw up numerous possibilities. What does one judge their answer on? Is it who's Bruce Wayne is the perfect playboy? Is it which Batman balances the correct tone of intelligence, grit, determination and symbolism? Is the Batman in question judged by his script? Is it the ability to banter with supervillains? Is it a case of familiarity and what Batman you grew up with? Is it simply who has the better jaw? I'd like to think that the answer is made up of a nice amalgamation of all of the above and then some.

Firstly, this is merely my personal preference. Some people may agree with my choices, others may dispute each and every one of my picks. This is my list though, meaning my thoughts and my reasoning (I can't promise that the aforementioned reasoning will be in any way rational). I've also decided that it's going to work better as a top 5 type of list, building up to my number 1. I'll do my best to describe the logic behind my picks, so try and stick with me as best you can. So without further ado...

5) Adam West - This is purely a personal choice based on the fact that as a kid I would spend hours upon hours watching the classic Adam West and Burt Ward Batman TV series whenever it was on. Sure, this version of Batman was as camp as Tom Cruise jumping up and down on Oprah's sofa but it was entertaining. It played on the kitsch factor. It didn't take itself seriously in the slightest, poked fun at itself and ticked all of the cheesy boxes required (see cliffhanger endings, rope walking up walls and giant 'POW!' signs). This was the version of Batman that brought the Bat into the public eye for a whole new generation of people. Granted, things like Aunt Harriet looking after Bruce and Dick were ideas that strayed from the original material, but this was the Batman of over the top cheese and campness. I'm not saying it was a great portrayal of the Caped Crusader, I'm just saying that it's a Batman that resonates a lot with me as it's the version of the Bat that I first came across.

4) Val Kilmer - Mr Batman Forever himself. Val has played some of the all time legends on screen, mainly Batman, Jim Morrison, Elvis and John Holmes amongst others. That said, there's likely something to be said about the fact that I classify Batman in a list with other actual real people. Back to the case on point, Val picked up the Bat mantle at a strange time. Tim Burton was originally slated to come back for a 3rd film in his Bat series but that fell apart. Step up Joel Schumacher and his vision of the World's Greatest Detective. The film has it's flaws, many of them, but Kilmer is a pretty bad ass Batman. His Bruce Wayne falters at parts but his Bat is intimidating at the right times and he is a bit more aggresive in the role than his predecessor, Michael Keaton. Similar to Keaton, he is an imposing, physical presence and he often shows the torment that Bruce/Batman is feeling. The film could have been so good but due to the camp factor, script and the tongue-in-cheek feeling at times, the film, and subsequently it's hero, gets dragged down. The film also suffered from large cuts and rewrites, often losing scenes that further expand the Bruce Wayne character and the torment he feels. It's disappointing to think what could have been if Burton would have managed to stay aboard the project with Kilmer as his Dark Knight.

3) Christian Bale - Yep, 3rd. I went there. This will likely be the part where most people huff in disgust and spit at their computer (much like Bale spitting his dummy with extras, soundmen and producers). I'm a big fan of Bale as the Bat. He pulls off the broody, selfless Batman whilst also playing up the brash, flash, playboy lifestyle of Bruce Wayne in order to keep public suspicion from linking the two together. He differentiates the body language, the way he carries himself and, most noticeably, his voice and the way he projects it. He is physically intimidating as Batman, using the shadows and his environment better than any other live action version of the Bat, as well as giving a glimps into where he gets his 'wonderful toys' from. A lot of people classify Bale as THE Batman. Not me, sadly. The gritty, grounded in realism stories and films so far involving Bale's Batman are arguably the best Caped Crusader stories and films that have reached the big and small screens. I wouldn't agree that he's the best incarnation of the World's Greatest Detective though. His pure physical presence isn't in doubt, but the two things that bother me about Bale's Bat is his Batman voice/growl/primal noises, and, as silly as it sounds, his chin. Whilst I fully understand the logic behind giving Batman an animalistic, intimidating voice in order to distance himself from Bruce Wayne, I just don't feel that Bale's voice works in this sense. It may be down to the slight lisp he has, I don't know. His voice just feels too forced and hard to understand for my liking. I understand that there's a case as to why this is perfect for the desired outcome, but it just doesn't work for me.... and it's my list, so ner.

2) Kevin Conroy - Those of you that say 'Who?' need to go and have a word with yourself. Conroy is not the most known of Batman to some, but he's played the Dark Knight for more time than anybody else. In case you haven't guessed by the above picture, Conroy played Batman for the Paul Dini/Bruce Timm animated series. The series started to air in 1992 largely based on the success of Tim Burton's Batman in 1989. Burton's film had generated mass interest in the character once more and Warner Bros saw fit to cash in on this with the animated series. The series was dark, brooding, edgey and flushed out the Batman/Bruce Wayne character, later elaborating on the Bat Universe and bringing in a vast array of his rogues gallery as well as familiar faces such as Dick Grayson, Barbara Gordon, Jim Gordon and Tim Drake amongst others. Anyways, I'm drifting off point just a tad. The point is Batman. Conroy gives his Bruce Wayne a stern, flash public image, whilst also offering the warmth, trust and leadership qualities to those around him, such as Dick. He also brings a genuine warmth and compassion to his Batman that is rarely seen in any other incarnations of the Dark Knight. It simply comes down to the fact that he is the voice of Batman to me. If I read a Batman comic then that's the voice in my head. He's the voice jumping from the panels and pages of the book. There have been several people voice Batman in animated form since Conroy but all pale in comparison to the dulcet, smooth tones of Kev... even Billy Baldwin.

1) George Clooney - Hold on there! Clooney's Batman is seriously underrated. He brings a humour to the character that is desperately lacking in any of the previous installments. People can rip on the Bat-nipples but it's just the character's way of showing that he is comfortable with his sexuality. The film is often called campy, flash and over indulgent - I just think it's simply unadulterrated fun. Clooney's Batman is involved in numerous large set pieces, showing off the Dark Knight's fighting ability. There's also the expertly executed tension with Robin over the affection of Uma Thurman's Poison Ivy. As for Clooney's Bruce Wayne, he plays the perfect father figure in the way that he ends up fighting with Dick over Poison Ivy, leading by example in how to control one's emotions. In fairness, I don't actually mind Clooney's Bruce at times, mainly the public appearances his Wayne makes, but I really hope that anyone reading this is fully aware that George at number 1 is never going to happen unless you're talking in From Dusk Til Dawn terms. Clooney is nowhere near my top 5 when the Bat is involved. Now for the real number 1, my personal favourite Batman, my favourite incarnation of the Dark Knight...

1) Michael Keaton - Of course the number 1 on my list of favourite Batman was always going to be Keaton! Whilst my first taste of Batman was Adam West, the Batman that I truly embraced was Michael Keaton in Tim Burton's 1989 film. At the time, Keaton was coming of Mr Mom and Beetlejuice - not exactly the type of roles you'd associate with the brooding character that saw his parents shot down as a child. As it happens, the casting of Keaton turned out to be a masterstroke. Burton saw something in him that many others didn't. He saw the complexity that he could bring to both Bruce and to Batman. The one thing that really stands out and resonates with me about Keaton's portrayal is that you always feel as if he's playing Batman. Bruce Wayne is the facade, the mask, the cover up - Batman is who he really is. There's a constant anguish and troubled look in Keaton's eyes whether he's Bruce or the Bat, particularly during the scenes where he's in his own comfort zone in Wayne Manor, with those aware of who he truly is (basically Alfred). You really feel his anguish as what he has to go through, you feel his pain where the Joker is concerned; his worry that he can be be held partly responsible for the creation of the madman that is terrorizing Gotham. Michael Keaton to me is at the top of the list as far as on screen Batman goes. He was the first Batman I saw where I thought he just looked bad ass. He's clinical in the way he takes down the bad guys, he's thorough in his thought process, his suit and utility belt looks the coolest, he has the best 'I'm Batman' delivery and, more importantly than any of the above, Keaton has the required jaw needed to pull off the cape and cowl look. Mr Keaton, I salute you.

Notable mentions go to Lewis Dean for playing the first live action Batman in the 1940's series, William Baldwin for doing a surprisingly good job in Justice League: Crisis on Two Earths, and Ben McKenzie in the recent animated Batman: Year One. Now I'm just waiting to see Bale in The Dark Knight Rises at 5am on Friday morning. Excited much?!


Also, whilst I've got your attention, there's a few really cool videos that every Bat fan should check out. One is a comedy short featuring Sam Rockwell as Batman and Justin Long as Robin. The premise is that Robin is on a date with a stunning girl - said date gets crashed by an unwanted, sleazy Batman. The second video is something simply titled Grayson. This is just a stunning piece of work by John Fiorella which focuses on life after Batman. Batman is dead, possibly under mysterious circumstances. A now retired Dick Grayson senses a cover up and ends up donning the Robin tights for one last time in a frantic search to find the truth behind the death of his mentor. There's numerous cameos from the DC Universe along the way, including quite a few of Batman's classic rogues gallery. It's only a trailer for a fictional film but after watching this it will have you demanding that the film is made. Enjoy!