Friday 27 July 2012

The Shrine

The Shrine is a film that has been floating around for a few years now but only got a UK release in February of this year. The basic premise is that an American tourist, Eric Taylor, goes missing whilst travelling across Europe, Poland to be precise, and nobody knows what has happened to him. The Polish police aren't very helpful and the American police are too busy to spare the man power to look into the case in any depth. The case is picked up by a reporter back in Eric's hometown. The opening few scenes suggest that the reporter, Carmen (Cindy Sampson), is in the middle of a career slump and needs a big story to help her get 'back in the game'. She goes to her boss with the story but he tells her to leave it alone and to focus on a local story involving bees. Being the brash, aggressive, 'eyes on the prize' type, Carmen completely ignores her boss. This is merely one of numerous mistakes that she makes throughout the film. It's established early on in the film that Carmen has a slightly strained relationship with her boyfriend, Marcus (Smallville's very own Jimmy Olsen, Aaron Ashmore - not to be confused with X-Men's Iceman, Shawn Ashmore). She doesn't seem to have time for him, acts on a whim and seems to be mainly focused on whatever benefits her.

That stain's gonna be a bitch to get out - where's the Vanish?


After meeting Eric's mother, Carmen borrows Eric's diary - his luggage having been returned home - and finds out his last recorded steps. This leads to a small, primitive Polish town that literally has a dark cloud hanging over it. The locals are depicted as basic, aggressive, secretive and wary of 'outsiders'. It's established that only a few of the locals, mainly the children, speak English. It's also established that the villagers aren't afraid of making visitors aware that they are not welcome. Carmen has managed to convince Marcus, conveniently a photographer, and Sara, an intern at the newspaper, to fly to Poland with her to get the real story on what happened to Eric. Following Eric's last steps, the group come across a large cloud that constantly floats above the woods. This is basically the last thing Eric saw, meaning that they go into the woods for a further inspection. The cloud is thick, dark and gives no visibility. Marcus holds back from going into the cloud, whereas the girls let their curiosity get the better of them and both go in, one by one, for a closer look. Once inside the cloud, the girls can see nothing at all until they individually come across a creepy looking statue. Sara is the first to find her way out of the cloud, followed by Carmen. The unhappy locals then turn up and a chase ensues. The film then gets into familiar territory, with the protagonists getting captured and tortured. The film then takes a largely refreshing change of pace and tone, with the real story becoming clear.

Carmen, Marcus and Sara - the 'victims'


I wasn't expecting much from The Shrine, but I was pleasantly surprised. Whilst it's not going to change the face of the horror genre, it is great little feature. It has some familiar plot points and some familiar characters but it manages to do something different with them than so many other films do. There's a sense of predictability during the most part of the film, then it changes things up and shows influences from the likes of The Wicker Man, The Exorcist and Sam Raimi. I was expecting the usual, standard, throwaway horror. Instead I got a genuinely freaky film with some standout moments. The one big gripe I did have was with the main lead, Carmen. She comes across as obnoxious, selfish, annoying, uncaring and insincere - not the traits I'd normally look for to get sympathy and concern for the supposed victim of the piece. Still, there's Aaron Ashmore to cheer for, and he does a good job as the more logical, rational and 'everyman' type. The rest of the characters are fine for what they are, with a nice appearance from Jack Brooks: Monster Slayer's Trevor Matthews as one of the villagers. The Polish spoken seems a little off to me, but I'm no expert in that and it's likely down to the fact that most of the villagers aren't actually played by Polish actors.

All in all, I'd say to give this film a chance if you're at a loose end one night. You just might be surprised by the not so formulaic twists and turns.

Not winning...

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